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The exper ience left me with ethical questions about how to make interactive art in social space, including how to meaningfully and appropriately work with existing communities I was not a member of in the creation of interactive art.

I also hoped that Interactive would help strengthen artists voices in shaping the development of the Internet.I believe you and I were both working for Arts Wire when we began conceptualizing Interactive.We had also both been active in and influenced by the Art Com Electronic Network established by Carl Loeffler and Fred Truck in 1986, which became an online artists space for the production and dissemination of art works and information on the creative use of new communication technologies.You and I chose to locate the Interactive Art Conference on Arts Wire, an online home for artists and arts organizations, institutions, advocates and funders primarily in the U.S., initially directed by Anne Focke, and launched in 1992.

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